Produced by Bristol sound co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it results in a comically executed chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
Game is in British and Irish cinemas from 17 November.
